• Windy Stereo
  • Selected studio works
  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact
  • Menu

ELYSS MCCLEARY

  • Windy Stereo
  • Selected studio works
  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact

I acknowledge that I live, work and create in Naarm on the unceded lands of the Wurundjeri Woi Wurrung people. I pay my respect to thier elders past, present and emerging. This was, and always will be Aboriginal land.

VARIATIONS at Collins Place Gallery

August 10, 2018
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Inlet, oil on linen, 83cm x71cm, 2018

Elyss McCleary, Inlet, oil on linen, 83cm x71cm, 2018

Collins Place Gallery L-R works by Basil Papoutsidis, Elyss McCleary, Max Lawrence White

Collins Place Gallery L-R works by Basil Papoutsidis, Elyss McCleary, Max Lawrence White

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