• Windy Stereo
  • Selected studio works
  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact
  • Menu

ELYSS MCCLEARY

  • Windy Stereo
  • Selected studio works
  • The Cinematic Background
  • Harmonious Eccentricity
  • Interval Diagonal
  • A Tender Anchor
  • Outline Imager
  • Fandangle Chroma/s
  • These Days
  • Saturday feels like Vermillion then Cherry Red
  • St.Francis
  • Otherworldly
  • The Correspondence of Noticing
  • The Pinkness
  • The Man with Three Names
  • The Means Make the Ends
  • Settings
  • What's Happening Here?
  • Interior Placements
  • Bedrooms
  • Joy to the Other World
  • A Second Shadow, Prelude and Trail
  • Estimating a Fort
  • Shutter Speed Luminosity
  • About
  • CV
  • Text
  • News
  • Contact

I acknowledge that I live, work and create in Naarm on the unceded lands of the Wurundjeri Woi Wurrung people. I pay my respect to thier elders past, present and emerging. This was, and always will be Aboriginal land.

Artist Profile Magazine "Process" Article

March 31, 2023

This essay was originally published in Artist Profile, Issue 68, 2023.

Tags: elyssmccleary, atenderanchor, artistprofilemagazine, essay, nicholasthompsongallery, painting, process, exhibitiontext
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